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Entrevista Português Inglês    
Year 10 - N° 507 - March 12, 2017
ANDRÉ RIBEIRO FERREIRA
andure@uol.com.br    
Brasília, DF (Brasil)
 
Traducción:
Leonardo Rocha - l.rocha1989@gmail.com
  

 
Vansan:

“Jesus is our great source
of inspiration”

The well-known musician explains how he began and developed his work in Spiritism, mixing music and talks in Spiritist Centres
 

 

Vicente de Paulo Fernandes da Costa (photo), or Vansan, lives in his hometown of Mogi das Cruzes, in the Brazilian state of São Paulo. He jokes that Mogi das Cruzes is now only a point of reference, as he is always away for Spiritist talks and concerts. He was born in a practicing Roman Catholic family. His grandfather founded a home

for the elderly in his town, Casa São Vicente de Paulo, after whom he was named. In 1980 he began having serious migraine but the medications did not work. He ended up going to a Spiritist Centre to seek help. He began attending regularly and began studying the Spiritist Teachings. He is now a volunteer at the Spiritist Centre Caminho da Luz. He self taught the guitar from the age of eight and became a professional musician in 1978. He travels around Brazil and the world giving his musical Spiritist talks. Vansan has already produced 35 CDs and one DVD, as he explains in the following interview: 

What was your motivation to work with Spiritist art? Tell us more about your work. 

I was advised by my own doctor in 1980 to go to a Spiritist Centre. Having received the precious medicine that was the Gospel of Jesus, I developed my mediumship and began working with spiritual attachment (or spiritual obsession) and also on other charity work. Later I was advised to begin playing the guitar during healing, to help us get a better vibration. Until one day I received guidance from the Spiritual Benefactors to begin the task of using music for evangelization – the LOVE MUSICAL THERAPY. I am glad that I have been carrying out this work for over 10 years. 

How did you begin carrying out that task? 

I had been invited to play in several cities and towns in the state of São Paulo to harmonise the vibrations ahead of talks by a well-known Spiritist speaker. He was going to speak on 10 different days. But he fell ill and couldn’t attend. Our host told me to carry on with the original programme, only he would do the talks. We went first to a very small town, where people didn’t have many resources. They were mesmerized with the songs I was singing before the talk. Then the host came to me and said in my year – I am not going to break the spell. The night is yours. The lesson from the Gospel tonight is about family ties. Tell them what you know about it and sing within that there. And that was what I did, following my instinct, and I was very pleased with the result. He liked it to and asked me to do the same during the same in the other cities we were due to visit. The MUSICAL GOSPEL was born there. I talk about issues concerning Spiritism and illustrate with songs that complement the messages. People sing along and get all surrounded by the same vibration. It is very gratifying. I thank God every day for confiding me this task. 

How do you choose your repertoire? 

My repertoire is quite varied. As the Spirits’ Book tells us, “the content of the message is what matters”. I choose the songs by the message they convey and by their melody, so that they can help us elevate our thoughts. I sing songs by Spiritis authors, from other religions and even from people who are not affiliated to any religion. I have also written many songs and I make versions of well known Brazilian and international songs too. Our aim is to take consolation, peace, happiness and strength to people, turning out songs and words in tools to get them closer to God. I am guided by the Spiritual Benefactors. I don’t usually chose my repertoire before the event starts. And I often hear from people in the audience: that song told me what I needed to hear today! There are many accounts of people who were feeling unwell or even experienced physical pain that that left the room after the songs feeling better. Others say they went to the talks considering suicide and changed their minds after listening to the music. 

What are the main positive points and the main challenges that you face in your task? 

The challenges are the same faced by every Spiritist worker. In most cases I am warmly welcomed wherever I go and I find a climate of happiness and fraternity around me. The greatest blessing we get is the Spiritual protection from the Benefactors. The challenges are the same for all Christians. We need to overcome the barriers of human imperfection, especially ours. We need to pray often so that we don’t fall into the trap of vanity, pride and selfishness. And avoid making the wrong choices, so that we are not manipulated by badly intentioned Spirits who wish to divert us from our task. But above all we must trust. Jesus is our great source of inspiration.  

What role do song writers, artists, writers and Spiritist leaders play in improving and securing the quality of artistic Spiritist work? 

Many books in Spiritist literature remind us of the importance music has in Spiritist activities. Elevated music has the capacity to take us to a higher sphere. When it is associated with poetry, the harmony is complete. It is our duty, as artists and mediums, to pray and be vigilant, to make the right choices and to be vigilant as to whom we connect with, so that our art work can remain as a channel connecting us with God. Many incarnate and discarnate brothers and sisters have changed their attitudes after being touched by the arts. They have opened themselves up to receive help and to become valuable, important workers. Art is the expression of beauty in its most complex aspect. Beauty inspires us to understand again that we are godly beings created for love.



 


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